Sopranos Blueprint

tony soprano is at the end of his driveway grabbing his newspaper and glancing at one of the headlines.

Premiere date: 9/15/2002

dr. melfi is talking to tony soprano about how many people feel vulnerable right after 9-11.
**BTW: Literally right after I published this post, I heard the news that at least 60 Afghans and 12 U.S. service members were killed at the Kabul airport from two explosions. My thoughts are with the victims and their families.

The Sopranos season 4 marks a turning point in a number of ways. Not only are we about halfway through the series, but we suddenly find ourselves living in a world with an entirely new normal. As the first season to premiere after the 9/11 terrorist attacks, season 4 helps illustrate the reality that we’re all just one tragedy away from our own new normal. With that said, here are some more thoughts on The Sopranos season 4 premiere, “For All Debts Public and Private.”

Bobby Bacala and Tony Soprano eating at the diner in For All Debts Public & Private
When Tony asks Bobby how his mother's been doing since his father's death the year before, he tells Tony things have gone downhill since the 9/11 attack on the World Trade Center.

"Let me tell you something, or you can watch the news: Everything comes to an end."

S4, E1, "For All Debts Public & Private"

First, For All Debts Public & Private,” premiering on September 15, 2002, features Tony walking down the driveway to the tune of World Destruction” by Time Zone. Speaking of world destruction, it was just one year earlier that terrorists attacked the World Trade Center, the Pentagon, and United Flight 93, killing nearly 3,000 and traumatizing many thousands more. 9/11 also sparked a massive expansion of government surveillance and made preventing another terrorist attack law enforcement’s top priority (I’ll dive more into that part in a separate post).

I couldn't help but point out the funny Polish sausage connection I thought of here.

Not surprisingly, death and destruction also weighed heavily on Carmela Soprano’s mind. How would she and the kids survive if something were to happen to Tony? Adding to her worry, Carmela runs into Angie Bonpensiero at the supermarket handing out free Polish sausage. You can bet at that moment Carm is picturing herself doing the very same thing if Tony’s ever out of the picture.  By the way, it always seems to come back to that sausage, huh? “How many pounds, hot or sweet?”

"You never know, I could be on the [Sopranos] endangered species list."

But it’s not just Carmela coming to grips with mortality in For All Debts Public and PrivateChristopher Moltisanti refers to it as the “endangered species list” in this episode. Regarding this particular endangered species list, what is it exactly that threatens the survival of those on it? Well, that depends.

christopher moltisanti is standing up and laughing in an evil way.
After killing retired Detective Barry Haydu.

For example, as Tony demonstrates through retired Detective Barry Haydu, you may be an endangered species from killing a well-known DiMeo Family soldier. On the other hand, you may just not be useful anymore. What do I think?

"I started the process of bonding him to me inseparably."

Christopher Moltisanti in the car with Tony looking at Barry Haydu, the retired policeman.
Christopher sits in the car with Tony as Tony tells him the (alleged) story of how Christopher's father, Dickie Moltisanti, died.

Truthfully, I think Barry Haydu was a cop Tony knew who was no longer useful once he retired. So when Christopher expresses his irritation with Tony, Tony decides it’s time to bond Christopher to him “inseparably.” What is this “bonding” activity, exactly? It’s sitting at a stop light, pointing to a guy celebrating his retirement, and telling Christopher that guy killed his father. Why do I not take this at face value or believe that Haydu actually killed Dickie Moltisanti?

Chiefly, when Christopher follows up to confirm Haydu’s really the guy who killed his father, Tony’s nonchalant response really sets off an alarm for me.

"Is that him? With the sombrero on?"
"No, you can't tell from here...maybe...yeah, probably."
Christopher looking at Dickie Moltisanti's Navy Picture at his mother's house (Joanne Moltisanti). I look forward to learning more about the Moltisantis in The Many Saints of Newark.

Granted, we’re talking about human lives here, so it’s disturbing how easy it seems to be for Tony to toss a life aside in an effort to manipulate another. Even Christopher concedes that regardless of what Haydu did or didn’t do, someone (Tony) wants him dead. Though I guess I shouldn’t be shocked. As far as value, we know the currency that matters most on The Sopranos is the one backed by the full faith and credit of the U.S. government. 

Pick Your Poison Currency

Tony Soprano sitting and watching tv while eating icecream.
Tony watching Rio Bravo while eating an icecream sundae (S.04, E.01, "For All Debts Public & Private)

Actually, I can’t say that money is the only valuable currency to the DiMeo family. They also have their separate individual currencies, like food for Tony or heroin for Christopher. In fact, For All Debts Public and Private features a powerful scene transition showing Christopher self-medicating with Heroin and Tony doing the same with ice cream. Frankly, during the start of this post-9/11 era, I can imagine a whole lot of people developing similar coping mechanisms as they seek to numb themselves to tragedy. 

"There's two endings for a guy like me . . . dead or in the can."
-Tony Soprano
S4, E1, "For All Debts Public and Private"

Identity: We all have one! (or more)

fbi agent deborah ciccerone gives her baby to her husband so she can get ready for work.
FBI Agent Ciccerone (aka Danielle)'s baby (S.04, E.01, "For All Debts Public & Private")

In addition, “For All Debts Public & Private” features the all-too-familiar Sopranos topic of identity. Here, FBI Agent Deborah Ciccerone navigates her literal multiple identities as she goes undercover getting close to Adriana La Cerva. While law enforcement going undercover isn’t anything new, it’s fascinating to watch Deborah literally go in one door as an FBI Agent and come out the other as Danielle Ciccolella, personal shopper From Whippany.

In fact, Deborah/Danielle reminds me a little of the Tony Soprano/Kevin Finnerty dynamic, except it’s all playing out in real life. Though her words for Adriana in the FBI office were strikingly cold (“Chances are you and Christopher will just disappear”), I often wonder if Deborah didn’t feel some genuine connection with Ade. Either way, I guess “it’s just business,” as Tony likes to say.

junior soprano is telling tony soprano that he is an old man.
It's not just Agent Ciccerone. Junior also grapples with who he is at that moment in time. (S4, E1, "For All Debts Public & Private")
tony is talking to carmela about bird feeder after she finds him putting cash into it.
Carmela suspiciously asks Tony what he's doing with the bird feeder given the time of year.

Furthermore, certain reoccuring Sopranos symbols make an appearance in the season four premiere. For example, “those ducks.” They weren’t in the pool, but I can imagine Tony’s thinking of them just the same. Besides ducks, we see a fish on the wall in Barry Haydu’s house, along with “My Rifle, My Pony, and Me.” “Horse” is also a nickname for heroin.

Conclusion & Other Episode Favorites

Carmine Lupertazzi Senior is telling Tony Soprano that a don doesn't wear shorts.
Carmine Sr. gives Tony advice on BBQ attire.

To conclude, as the first episode to premiere after 9/11/2001, For All Debts Public & Private” introduces us to a Sopranos world that’s very different from the one that existed in seasons 1-3. We’ll see this play out more and more throughout season 4 and the remainder of the show. 

Nevertheless, in spite of everything, we can’t forget to laugh. So, a word to the wise: “A don doesn’t wear shorts.” And here are some of my other favorite “For All Debts Public and Private” miscellaneous scenes:

  • When Albert Barese repeats Tony’s words: “It petered out. It died on the vine.”
  • When Bobby Bacala goes into his line of questioning with Tony about Quasimodo and Nostradamus.
tony, sil, and christopher walking across a grassy area behind Bada Bing.
  • When Tony, Sil, and Christopher leave the Bing to walk over to the “You’re supposed to be earners” meeting, the cameras focus on a spot on the ground that reminds me of where Tracee died.
  • Paulie’s “Leave that! Don’t touch that, my program’s coming on!” (I have the same reaction when it comes to The Sopranos).
  • When Junior says “What is this, Mother-May-I?”

P.S. Let's Connect!

As always, I’d love to hear your thoughts on “For All Debts Public and Private” and how it fits into the larger Sopranos narrative for you. Be sure to connect online and subscribe below.

paulie walnuts is yelling at another inmate to not turn the tv channel because his program is coming on.
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